Bienal de Cerveira, Vila Nova de Cerveira, Portugal ), 'Resistance performed', Zurich: JRP| Ringier, 2015, pp. Coleção Gilberto Chateaubriand, 'Arte Brazileira Anos 60 e 70, Museu de Arte da Bahia', Trienal Internacional de Gravuras Originais em Cores, Renchen, Switzerland Orr, Francine, 'Anna Maria Maiolino', on: http://www.latimes.com/, (short video documentation on her one-woman retrospective at MOCA), Los Angeles, CA, 2017 Roteiros. The gallery was founded in 1992 and in 1996 opened its first permanent location in the former Löwenbräu brewery building in Zürich. 29ª Bienal de São Paulo, 'Há Sempre um Copo de Mar para um Homem Velejar', São Paulo, Brazil View Anna Maria Maiolino’s 42 artworks on artnet. La Triennale, 'Arts & Food. Museo de Bellas Artes de Caracas, '28 Artistas do Brazil', Caracas, Venezuela Hauser and Wirth's debut exhibition devoted to Anna Maria Maiolino opens in New York Christie's spokeswoman says no plans to hold auctions in Iran Gulf resort Kish Island Exhibition of new paintings by Pat Steir opens at Locks Gallery in Philadelphia Lost song by Mendelssohn re-discovered among papers in America to be offered at Christie's Neither linear nor chronological, the ongoing, open-ended nature of her practice enables her to work freely across discipline and media, while marinating a coherent conceptual thread through the entirety of her body of work. Caixa Cultura Rio de Janeiro, 'Nós', Rio de Janeiro, Brasil (Travelling Exhibition), 2015 Palazzo Reale, 'La Grande Madre', Milano, Italy ), 'Virgin Territory', Washington: National Museum of Women in the Arts, 2001, 2000 Ferreira, Glória, Terra, Paula, 'Situações – Arte Brasileira Anos 70', Rio de Janeiro: Fundação Casa França Brasil, 2000, p. 28-2 Anna Maria Maiolino makes drawings, artist books, sculpture, and video, frequently drawing inspiration from her experience as an immigrant growing up in politically unstable Brazil. 'Litogravura: Métodos e Conceitos', Santo André, São Paulo, Brazil, 1991 Paço das Artes, 'O Clássico no Contemporâneo', São Paulo, Brazil View Anna Maria Maiolino’s 42 artworks on artnet. ANNA MARIA MAIOLINO BETWEEN SENSES Hauser & Wirth 32 East 69th Street - New York 7/5/2014 - 21/6/2014 Anna Maria Maiolino is one of the most significant artists working in Brazil today. Kunsthalle Wien, 'Tropicália', Wien, Austria, 2009 Museum of Latin American Art MOLAA, 'The sites of Latin American Abstraction', Long Beach CA Projects 86: Gert & Uwe Tobias', New York NY 88-89, 92-93, 114-115, 2006 Armstrong, Carol, de Zegher, Catherine, 'Women Artists at the Millenium', London: The MIT Press, 2006, ill. 416-417, Carlos, Esther, Emílio, 'Entrevidas', in: 'Entrevidas', Galeria do IBEU/Instituto Brasil-Estados Unidos, 1991, Herkenhoff Paulo, ' Nova Figuração Rio/Buenos Aires', Rio de Janeiro: Galeria do Instituto Cultural Brasil-Argentina, 1987, Peccinini, Daisy Valle Machado, 'O Objeto na Arte, Brasil Anos 60', São Paulo: Fundação Armando Alvares Penteado, 1978, Oiticica, Hélio, 'Nova Objetividade Brasileira', Rio de Janeiro: Museu de Arte Moderna, 1967. Usina do Gasômetro, 'Projeto Impressões Itinerantes', Porto Alegre, Rio Grande do Sul, Brazil In a career spanning five decades and a diversity of disciplines and mediums, ranging from drawing, sculpture, and artist books to video and performance, she expresses through her art a bottomless concern with creative and destructive processes and, above all, the never-ending search for identity. For Maiolino, paper becomes more than a surface for drawing; it is both ‘matter and body’, expressed through the act of gesture. Hammer Museum, 'Radical Women: Latin American Art, 1960 –1985', Los Angeles CA (Travelling exhibition) ), 'Anna Maria Maiolino. MAR Museu de Arte do Rio, 'Casa Carioca', Rio de Janeiro, Brazil Instituto Brazil-Estados Unidos, 'IBEU: 1991 a 2001 - uma Década de Arte Contemporânea', Rio de Janeiro, Brazil Hauser & Wirth has established this online platform—which is separate and distinct from its general gallery operations—to allow participants’ […] Eu sou Eu. Um, Nenhum, Cem Mil', São Paulo: Gabinete de Arte Raquel Arnaud, 1993, 1992 Moraes, Marcos José Santos de, 'Anna Maria Maiolino. This exhibit has been organized with the independent dealer Oliver Renaud-Clément, and is accompanied by a publication modeled on a 1959 exhibition catalogue for Neo-Concrete Art at the Museum of Modern Art Rio de Janeiro. 1461’, 2013, permanent installation at Hauser & Wirth New York, 18th Street. Hauser & Wirth. Gleeson, Bridget, 'Channeling the Trauma and Thrill of Immigration, a Brazilian-Italian Artist Peers into the Void', on: www.artsy.net, New York, 1 December 2016, ill. ), Beltrân, Erick, Hernández Felisberto, Hütte, Friedhelm + [et al. See available works on paper, sculpture, and prints and multiples for sale and learn about the artist. Museu de Arte Contemporânea da Universidade de São Paulo, 'O que Você Faz Agora, Geração 60, Jovem Arte Contemporânea Revisitada', São Paulo, Brazil On view will be a selection of drawings, works on canvas, sculptures, photographs, and videos, as well the sound installation ‘Two Beats’ (2012), which features the artist’s poem ‘Eu so Eu (I am I)’ that was presented at dOCUMENTA 13. Add an Organisation. Nunes, Vicente, 'Traços Neoconcretos', in: Correio Braziliense, Brasília, 10 January 2002 Salão de Campinas, São Paulo, Brazil, 1971 Salão Jovem, Campinas, São Paulo, Brazil The drawing ‘Untitled’ (2006), from the series ‘Codificações Matéricas (Matter Codification)’, exemplifies the poetic discourse that Maiolino generates from the simplicity of a single gesture. Festival Internacional en Solidaridad con los Pueblos de Centro América y el Caribe, 'Por la Victoria, Exposición Internacional de Trabajos Gráficos', Mexico, 1981 II Trienal Internacional de Desenho, Wroclaw, Poland Fundación La Caixa, 'Contemporary Cartographies. 'V Jornada Brazileira de Curta Metragem', Salvador, Buenos Aires, Brazil Recommended Exhibitions this Season', in: Aesthetica, London, November 2016, p. 21, ill. ___, 'Anna Maria Maiolino (Brasil). Pub Date: 9/25/2018 Active | In stock. My life was dominated by anguish and doubts, although I also wanted to participate in that moment of great political, social and artistic effervescence that was pushing artists to make alliances with the previous generations… We wanted to develop an autonomous national art, far removed from external patterns and models. For several decades her work has been represented worldwide in shows such as “documenta13” and the Venice Biennale. V Salão Nacional de Arte, 'Belo Horizonte', Minas Gerais, Brazil, 1972 II Bienal del Grabado Latino-Americano, San Jose de Porto Rico, Porto Rico Between Senses," the gallery's debut exhibition devoted to the artist. Photo: Genevieve Hanson ‘Dieter Roth. Museu de Arte Moderna do Rio de Janeiro, 'II Salão Esso', Rio de Janeiro, Brazil, 1967 VIII Bienal Internacional de São Paulo, São Paulo, Brazil 3906915298. Working across a wide range of disciplines and mediums – spanning drawing, printmaking, poetry, film, performance, installation and sculpture – Maiolino relentlessly explores notions of subjectivity and self. Carlos, Esther, Emílio, IBEU 1991.2001, 'Uma Década de Arte Contemporânea', Rio de Janeiro, 2002, p. 18 Osório Luiz Camillo, 'Blanton Museum of Art: Latin American Collection', Austin: The University of Texas at Austin, 2006, pp. Anna Maria Maiolino: Entre Pausas On the occasion of the exhibition ERRÂNCIA POÉTICA (POETIC WANDERINGS), Hauser & Wirth Publishers is pleased to release ‘Entre Pausas’ (Between Pauses), a new artist book that publishes 74 drawings from Maiolino’s eponymous series for the first time. Galeria Lourdes Saraiva Queiroz, 'Desenho contemporâneo', Uberlândia, Brazil Museu de Arte Moderna do Rio de Janeiro, 'Desenho Brazileiro 1974', Rio de Janeiro, Museu de Arte Moderna, 'Panorama de Arte Atual Brazileira – Desenho', São Paulo, Brazil, Instituto Brazil-Estados Unidos, 'Indagação sobre a Natureza, Significado e Função de Obra de Arte', Rio de Janeiro, Brazil, II Bienal del Grabado Latino-Americano, San Jose de Porto Rico, Porto Rico, XXII Salão Municipal de Belas Artes, Belo Horizonte, Minas Gerais, Brazil, VIII Bienal Internacional de São Paulo, São Paulo, Brazil, III Salão de Arte Moderna do Distrito Federal, Federal District, Brazil, Salão Nacional de Arte Moderna, Rio de Janeiro, Brazil, XX Salão Paranaense de Belas Artes, Curitiba, Paraná, Brazil, Galeria das Folhas, 'Salão do Trabalho', São Paulo, Brazil, IV Salón de Jóvenes Pintores, Caracas, Venezuela, III Salón de Jóvenes Pintores, Caracas, Venezuela, II Salón de Jóvenes Pintores, Caracas, Venezuela, Prêmio APCA (Associação Paulista de Críticos de Artes) - Os Melhores de 1993 -, Prêmio Mário Pedrosa - Melhor Mostra , concedido pela ABCA (Associação Brazileira de, Prêmio de Aquisição - III Salão Nacional de Artes Plásticas , Rio de Janeiro, Brazil, (IN-OUT Antropofagia) - Filme premiado no I Festival de Filme Super-8 , Curitiba, Paraná, Brazil, Prêmio Guignard, Aquisição - II Mostra de Artes Visuais, Niterói, Rio de Janeiro, Brazil, Prêmio da Cidade - III Salão de Arte Contemporânea de Campinas , Campinas, São Paulo, Brazil, Referência Especial do Júri - III Salão de Arte Moderna do Distrito Federal, Federal District, Brazil, Prêmio de Aquisição - XX Salão Paranaense de Belas Artes , Curitiba, Paraná, Brazil, Alves, Paulo (ed. 172-173, Venâncio Filho, Paulo, 'Anna Maria Maiolino: the doing hand', in: de Zegher, Catherine, 'Inside the Visible – An Elliptical Traverse of 20th Century Art ( in, of and from the feminine), Cambrige: The MIT Press, Boston: The Institute of Contemporary Art, Kotrijk: The Kanaal Art Foundation, 1996, Doctors, Márcio, 'Gesto, Repetição, Singularidade', in: 'Um, Nenhum, Cem Mil', Rio de Janeiro: Centro Cultural Banco do Brasil, 1994, ___, 'America Bride of the Sun: 500 Years Latin America and the Low Countries', Antwerp: Royal Museum of Fine Arts, 1992, pp. Prêmio MASP de Artes Visuais 2012', São Paulo: Comunique Artes, 2012. ), 'Forma e Imagem: Técnicas na Arte do Rio de Janeiro: 1950-1975', Paço das Artes: São Paulo, 2002 Between Senses’, the gallery’s debut exhibition devoted to the artist. 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